On Friday evening, September 27, 2024, KSDS will celebrate the Bud Powell Centennial — Bud’s 100th birthday — in a manner befitting the only man who can rightly be called the principal architect of modern jazz piano conception. Though Powell himself won’t be playing — he’s been dead 58 years, which is just another way of saying he was already booked — we’ve arranged the next best thing, an evening of unforgettable musical testimony to Powell’s enduring artistic influence starring three modern masters of the piano: Joshua White, Alan Broadbent, and Bill Mays.
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Holly Hofmann's jazz series continues this month at Tio Leo's Restaurant and Lounge at 5302 Napa St. at Morena Blvd. Jazz at Tio Leo's is happening every Sunday evening from 5-7pm and features Southern California's finest jazz musicians in a quiet, spacious setting with full bar and Mexican cuisine. There is also plenty of free parking. See this month's schedule below:
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Donate your used vehicle to Jazz 88.3 because it's the best result from a kind act AND it is truly one of the most reliable revenue sources we have. Call 1-888- JAZZ-CAR (1-888-529-9227).
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Another way to join KSDS San Diego's Jazz 88.3 is with the listening stream. There's the KSDS APP. Please search 'KSDS Jazz' in your respective Google or Apple store.
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The San Diego Community College District and City College is committed to supporting The San Diego Promise, an initiative that allows local students to attend City College for FREE.
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Portrait of Charlie Parker, Red Rodney, Dizzy Gillespie, Margie Hyams, and Chuck Wayne, New York City, c. 1947. Photo by William Gottlieb, courtesy of Library of Congress.
By Matt Silver
There’s a famous quote attributed to Miles Davis. It goes, “You can tell the history of jazz in four words: Louis Armstrong. Charlie Parker.” Whether that statement is fair or not — whether it does justice to anyone not named Armstrong or Parker — is beside the point. By most credible accounts, Davis, setting all the musical genius aside, was a brilliant provocateur, a hot-take pioneer whose aloof, disagreeable, superior demeanor was carefully and consciously constructed. Whatever Miles Davis played was what he genuinely believed; everything else was in service of a different department of the corporation.
Nevertheless, Davis's declaration — glib, reductive, and disingenuous though it may have been — resonates.
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By Loren Schoenberg
In the rarified precincts of the jazz pantheon, Lester Young is unique in that the true essence of his genius remains obscure. Armstrong, Monk, Tatum, Coltrane and the others recorded prolifically in the studio and out of it, etching a relatively complete picture of their abilities. To be sure, there were extraordinary moments that vanished the moment they were created, lingering only in the memories of those lucky enough to have witnessed them. But with Young, the overwhelming consensus of those who heard him when he was young is that he could and frequently did play extended solos, and that it was only in that form that he could express his unique and large-range sense of musical architecture. So we are left to parse, ever so minutely, the shards of that vision as they are to be found on the recordings that comprise this collection. All jazz soloists up through the advent of long-playing records in the '50s had to learn to express themselves succinctly and no one did it any better than Young at his best.
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Billy Vera
Chad Fox
Chuck Granata
Claudia Russell
Dave Drexler
Gary Beck
Gordon Goodwin
Jim Gallert
Judy Carmichael
Kenny Washington
Kermit Ruffins
Larry Murry
Loren Schoenberg
Matt Silver
Miff Mole
Neil Tesser
Raul Rico Jr.
Roger Stolle
Ron Dhanifu
Sam Wisman
San Diego's Jazz 88.3
Will Friedwald
