San Diego's Jazz 88.3 FM - KSDS

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KSDS Presents: A Bud Powell Centennial Celebration

KSDS Presents: A Bud Powell Centennial Celebration

On Friday evening, September 27, 2024, KSDS will celebrate the Bud Powell Centennial — Bud’s 100th birthday — in a manner befitting the only man who can rightly be called the principal architect of modern jazz piano conception. Though Powell himself won’t be playing — he’s been dead 58 years, which is just another way of saying he was already booked — we’ve arranged the next best thing, an evening of unforgettable musical testimony to Powell’s enduring artistic influence starring three modern masters of the piano: Joshua White, Alan Broadbent, and Bill Mays

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Jazz at Tio Leo's

Holly Hofmann's jazz series continues this month at Tio Leo's Restaurant and Lounge at 5302 Napa St. at Morena Blvd. Jazz at Tio Leo's is happening every Sunday evening from 5-7pm and features Southern California's finest jazz musicians in a quiet, spacious setting with full bar and Mexican cuisine. There is also plenty of free parking. See this month's schedule below:

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Trends in Avian Evolution: My Five Favorite Charlie Parker Tributes of the 21st Century

Portrait of Charlie Parker, Red Rodney, Dizzy Gillespie, Margie Hyams, and Chuck Wayne, New York City, c. 1947. Photo by William Gottlieb, courtesy of Library of Congress.

By Matt Silver 

There’s a famous quote attributed to Miles Davis. It goes, “You can tell the history of jazz in four words: Louis Armstrong. Charlie Parker.” Whether that statement is fair or not — whether it does justice to anyone not named Armstrong or Parker — is beside the point. By most credible accounts, Davis, setting all the musical genius aside, was a brilliant provocateur, a hot-take pioneer whose aloof, disagreeable, superior demeanor was carefully and consciously constructed. Whatever Miles Davis played was what he genuinely believed; everything else was in service of a different department of the corporation.

Nevertheless, Davis's declaration — glib, reductive, and disingenuous though it may have been — resonates.

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Lester Young: A Portrait of Lester Young's Early Triumphs and Set-Backs

By Loren Schoenberg

In the rarified precincts of the jazz pantheon, Lester Young is unique in that the true essence of his genius remains obscure. Armstrong, Monk, Tatum, Coltrane and the others recorded prolifically in the studio and out of it, etching a relatively complete picture of their abilities. To be sure, there were extraordinary moments that vanished the moment they were created, lingering only in the memories of those lucky enough to have witnessed them. But with Young, the overwhelming consensus of those who heard him when he was young is that he could and frequently did play extended solos, and that it was only in that form that he could express his unique and large-range sense of musical architecture. So we are left to parse, ever so minutely, the shards of that vision as they are to be found on the recordings that comprise this collection. All jazz soloists up through the advent of long-playing records in the '50s had to learn to express themselves succinctly and no one did it any better than Young at his best. 

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Today's Birthdays

Born on this day, September 10th

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On This Day

September 10th in Jazz History…

  • Charlie Barnet recorded "Duke's Idea" for Bluebird in 1939.
  • The Woody Herman Band recorded "Blues in the Night" and "Yardbird Shuffle" for Decca in 1941.
  • Also, "Young Blood" was recorded by the Stan Kenton Orchestra in 1952 in Hollywood.
  • And, Louis Armstrong recorded "Some of These Days" in 1929 for Okeh Records.
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